Fritz Lang’s Secret Beyond the Door takes the perennially popular Gothic theme, “Someone is trying to kill me, and I think it may be my husband,” throws in a liberal dose of psychological melodrama à la Alfred Hitchcock’s Spellbound (1945), and caps it off with a fiery finale that tips its hat to Charlotte Brontë’s Jane Eyre.
The first hour or so of the film is firmly in the mold of earlier Gothic “my husband might be a murderer” thrillers like Hitchcock’s Rebecca (1940), George Cukor’s Gaslight (1944), Vincente Minnelli’s Undercurrent (1946), and Joseph L. Mankiewicz’s Dragonwyck (1946). The last couple of reels veer off into such loony, faux-Freudian territory that I honestly didn’t know quite what to make of them.
But Lang is a consummate professional, no matter how weird or silly his material, and Secret Beyond the Door is always intriguing and occasionally a little spine-tingling.
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