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On Writing a Marilyn Musical – An Opening Number

major to minor

Writers much more accomplished than I have pointed it out: the opening number is vital to a musical’s success or failure. It tells the audience what the evening is to be about, and it has to tell the truth. If it’s satirical, the show, overall, needs to be satirical too. If it’s earnest, then a more or less earnest evening has been promised to the audience. Break that promise at your peril.

Some suggestions, then, for a Marilyn Monroe opening number, and the kind of show it promises:

Cropped screenshot of Marilyn Monroe from the ...

Marilyn! The Musical

Lights up on the set of Some Like it Hot. Everyone is waiting for MARILYN to arrive. She is late. JACK LEMMON and TONY CURTIS sing about how she drives them crazy, but boy, she sure can deliver. BILLY WILDER sings about how talented she is, but only he can really see it. MARILYN arrives, all flustered and…

Ver la entrada original 90 palabras más

Acerca de manonmona

MANON KUBLER. PERIODISTA , ESCRITORA EN RETIRADA. A LA SAGA DE UNA NUEVA CRONICA. PREPARO MIS BALAS. EXPULSO MIS FUEGOS. AFINO MIS LLAGAS. AVANZO. ME DEMORO. VUELVO A AVANZAR. BUSCO ESTOMAGOS QUE SUJETEN TOXICOS Y EXTREMOS. AQUI ESTOY, A LA SAGA, VIVIA Y SOBREVIVIDA PARA LA ALEGRIA DE POCOS, SALUD MANON

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